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A Director's, Cut
The Abbot Peter Mysteries
Simon Parke
Paperback |288 pp |198 x 126 mm
'Abbot Peter is a true original'
'To a long list of much-loved detective pairings, which includes Holmes and Watson, Poirot and Hastings, and Morse and Lewis, we must now add Abbot Peter and Tamsin Shah.'
'The team of detectives in Simon Parke’s A Director’s Cut murder story consists of an Anglican abbot now living as a hermit and his less-than-believing niece who is a police-person. This leads to terrific tension within the team, as you might suppose; and there is also a counterpoint with the painful story of Meister Eckhart. There is also a bishop who is not a villain, but really ought to be. Try this over Christmas.'
‘On stage, the light reveals a chair, on which the lone figure of a middle-aged lady sits. Bathed in creamy light, she gazes heavenwards, mouth open in motionless wonder. Her body pushed forward and her head yanked back, simultaneously, separating the vertebrae, as the pathologist would later say. And her throat cut, a mess of blood.’
AN ABBOT PETER MYSTERY
When the curtains of the Bell Theatre open for the second half of Mother’s Day, a new play commissioned for the venue’s thirtieth anniversary, the lifeless body of theatre director Hermione Bysshe-Urquhart MBE is revealed. Within the startled audience sit retired monk Abbot Peter and his guest for the evening, Detective Inspector Tamsin Shah.
Tamsin and Peter undertake a new murder investigation among the cast and crew of the theatre, a struggling pro-am business operating from a converted church on the cliffs of the derelict seaside town of Stormhaven. Dark secrets from the past will be unearthed, some lying deeper than others.
